tag:blogger.com,1999:blog-32785425.post1722973327510089099..comments2023-10-14T07:14:35.161-04:00Comments on Hotbed of Intrigue: Swing and two missesDave Allenhttp://www.blogger.com/profile/00900590571902234231noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-32785425.post-45009561258883353612008-10-13T10:57:00.000-04:002008-10-13T10:57:00.000-04:00Fair enough. Thank you for the correction, but the...Fair enough. Thank you for the correction, but the reference still seems mistaken. The author seems to have the wrong Stockhausen listed, alongside John Cage, as someone whose influence is heard in Braxton's work. Markus is a bit younger than Braxton, after all.Dave Allenhttps://www.blogger.com/profile/00900590571902234231noreply@blogger.comtag:blogger.com,1999:blog-32785425.post-58843398017002564762008-10-13T10:51:00.000-04:002008-10-13T10:51:00.000-04:00Duh! Markus is one of the great Karlheinz's sons (...Duh! Markus is one of the great Karlheinz's sons (the other being Simon). Both Markus and Simon are brilliant musicians (playing trumpet and Synthysiser respectively) and as composers have been known to have more CDs in the racks than Karlheinz especially in America where the 'love to hate Karlheinz Stockhausen' movement was started as early as the late '50s when the NYT gave him the first of their unvaryingly negative reviews.Anonymousnoreply@blogger.com